Ban Meng 班孟

Ban Meng’s background is unknown; some say they were a woman. Able to travel by flying for days at a time, they could also sit and talk to people from the empty air. They were also able to enter the earth, at first disappearing from feet to chest, then entering fully, only leaving a kerchief behind, which after a long time would disappear entirely, too. Slicing the ground by pointing, a well could be constructed ready to be draw from. Blowing the roof-tiles from houses, tiles would be sent flying among people’s houses and homes. Mulberry shoots numbering in the thousands, Meng could combine them all into one, piled like a mountain and remaining like that for more than ten days; by blowing on them they could be returned to growing as before in their former places. They could moreover swallow a mouthful of ink, stretch out paper before them, chew and spit it out, the whole forming characters across the paper, each bearing full meaning. They took wine and cinnabar, but over four hundred years less and less, eventually entering Dazhishan.

From Shenxianzhuan.

Li Fang 李昉, et al., Taiping guangji 太平廣記 (Extensive Gleanings from the Era of Great Harmony), 10 vols (Beijing: Zhonghua shuju, 1961), ii, 61.382




A Daoist Sends A Letter 道人寄書

Before the seat of the Linchuan County Magistrate is a stone peak, topped with a small pavilion, and this is protected by a vermillion railing. A seventy-year-old army veteran said:

Beneath this peak was an immortal paradise. Long ago there was an Attaché to the Guard in Zhejiang who, encountering an immortal there, was given a letter, and told: “If I may trouble you, when you are about to leave Fuzhou, please knock on the rock below Ram’s Horn Peak that stands before the town, and there will be the letter’s recipient.” When the attaché returned, he knocked on the stone, and saw a red gate open to a cave, snaggletoothed with glazed tiles, and with windows and a pavilion, quite different from those seen in the human world. Elderly men and women all came out to greet and question him, giving him a cup of broth to drink that was fragrant and beguiling in flavour, and telling him: “The attaché can stay here.” The attaché said: “I have young and old to care for, and do not wish to remain here.” They gave him a sheng (about 1 litre) of grain, and although the attaché threw it to the ground angrily, a dozen or so grains stuck to the skirt of his robe. They then showed him out of the gate, which turned out to be on the riverbank at Wushigang. When he worked out the date, it turned out that he’d been gone more than a year. Later, he saw that the ten or more grains were actually tiny nuggets of gold.

From this we know that the stone at the peak is a border with the territory of the immortals, and that the attaché was not fated to enjoy their good fortune!

Anon., Huhai xinwen yijian xuzhi, 後1.137 (Tale 241):



Yuan Haowen 元好問, Chang Zhenguo 常振國 (ed), Xu Yijian zhi 續夷堅志 (Continued Records of the Listener), and Anon., Jin Xin 金心 (ed.), Huhai xinwen yijian xuzhi 湖海新聞夷堅續志 (Continuation of Records of the Listener with New Items from the Lakes and Seas) (Beijing: Zhonghua shuju, 1986).

The Cishan Deity Manifests 祠山神顯

Zhang Dadi, of Cishan in Guangde, when he first manifested his nature, once turned into a pig in order to regulate the waterways, and for this reason many people of the prefecture do not eat pigs, treating them as a taboo. The people of the prefecture obeyed this very sincerely, and warned people to avoid pork. The Tang subject Lou Yin (833-909), whose name is famous across All Under Heaven, ridiculed the deities and spirits in every place he visited. He once passed this temple, and inscribed a poem on the wall:

Traversing roads in the world’s farthest corners

Never once in life misled by fallacy.

He was about to write another pair of lines, when his hand was suddenly grasped and dragged upwards, as if by a person. He heard someone speak: “If the second couplet isn’t good, your hand could be snapped off.” Luo, terrified, said: “How about it isn’t written at all, to accord with the deity’s order?” His hand was then restored as before. He continued to write:

Zhang Dadi of Cishan,

Is Lord of Spirits in All Under Heaven.


During the Song Jingding era (1260-64), there was a palace, lying four li north of Taipingzhou city, which had extremely powerful spirits. A wealthy family made a great refurbishment of the temple there, using curved tiles numbering in the [216] tens of thousands. When the time came to open the several kilns, their simple clay tiles had all been transformed and showed a glossy blue-green glaze. As the artisans came to complete the project, they found themselves three hundred tiles short, so continued to heat the kilns, the artisans placing several tens of thousands of tiles in the kiln, intending that they should all be transformed and glazed, to sell on and make a small profit. When removed from the kiln, three hundred had received the glaze, but the rest were all simple clay.

Anon., Huhai xinwen yijian xuzhi, 後2.215-16 (Tale 382):


廣德軍祠山張大帝,初發靈時,嘗化為豬以治水,故郡人多不食豬,自為諱物。郡人事之甚謹,戒不食豬肉。唐人羅隱,名彰天下,所至之處,鬼神無不為之譏諷。嘗過其廟,題詩於壁曰:「踏遍天涯路,平生不信邪。」方欲題後二句,(此處原多一「於」字,據明刻本刪。)俄手如人拽起狀,聞人語曰:「若後二句不佳,能折爾手。」羅悚懼曰:「如不佳,甘照神語。」手遂如故。續題曰:「祠山張大帝,天下鬼神爺。」宋景定年間,太平州城北四里外有行宮極靈,富家巨室重新廟宇,計用筒瓦數 [216] 萬口,臨時起窰三五所燒造,其土瓦盡皆變成青色琉璃。結蓋將畢工,尚少三百口,續行燒造,匠者復以數萬入竈,意其變琉璃,庶可轉鬻以圖小利。及出窰,則三百口為琉璃,餘者皆土瓦也。

Yuan Haowen 元好問, Chang Zhenguo 常振國 (ed), Xu Yijian zhi 續夷堅志 (Continued Records of the Listener), and Anon., Jin Xin 金心 (ed.), Huhai xinwen yijian xuzhi 湖海新聞夷堅續志 (Continuation of Records of the Listener with New Items from the Lakes and Seas) (Beijing: Zhonghua shuju, 1986).