Ma Daoyou 馬道猷

Under the Southern Qi (479-502 CE) Ma Daoyou served as Director of the Department of State Affairs. In the first year Yongming (483), seated in the palace he suddenly saw spirits filling the space before him; the people around him saw nothing. Soon after, two spirits entered his ears, pulling out his ethereal soul, which fell onto his shoes. He pointed at it to show people, saying, “Gentlemen, do you see this?” None of those around him could see anything, so they asked him what his ethereal soul looked like. Daoyou said: “The ethereal soul looks exactly like a toad.” He said: “There can be no way to survive. The spirits are now in the ears. Look at how they swell up.” The following day he died. Taken from Shuyiji.

Li Fang 李昉, et al., Taiping guangji 太平廣記 (Extensive Gleanings from the Era of Great Harmony), 10 vols (Beijing: Zhonghua shuju, 1961), vii, 327.2992

馬道猷

南齊馬道猷為尚書令史。永明元年。坐省中。忽見鬼滿前。而傍人不見。須臾兩鬼入其耳中。推出魂。魂落屐上。指以示人。諸君見否。傍人並不見。問魂形狀云何。道猷曰。魂正似蝦蟇。云。必無活理。鬼今猶在耳中。視其耳皆腫。明日便死。出述異記

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Li Ze’s Corpse Rises 李則屍變

At the beginning of the Tang Zhenyuan era (785-805 CE), Li Ze, of Shaoyin in Henan, died. Before he could be prepared for burial, a scarlet-robed person called and expressed condolences, calling himself Herbalist Su. When he entered, his grief was especially deep. Before long, the dead man rose, and began to fight with him; his family, sons and brothers fled the hall in panic. The two closed the door and beat one another, continuing equally matched until dawn. When the Li sons dared to enter, they found two corpses laid together on the bed, their height, build, appearance, hair, beard and clothing quite indistinguishable. At this, the gathered clan being quite unable to work out the matter, they buried both in the same coffin.

Li Rong 李冗, Du yi zhi 獨異志 (Outstanding Fantastic Stories), 上1.14-15 (Tale 78):

李則屍變

唐貞元初,河南少尹李則卒,未斂。有一朱衣人投刺申弔,自稱蘇郎中。既入,哀慟尤甚。俄頃,亡者遂起,與之相搏,家人子弟驚走出堂。二人閉門毆擊,抵暮方息。李子乃敢入,見二屍並卧一床,長短、形狀、姿貌、鬢髯、衣服一無差異。於時聚族不能定識,遂同棺葬之。

Li Rong 李冗, Du yi zhi, 獨異志 (Outstanding Fantastic Stories) in Du yi zhi, Xuanshi Zhi 獨異志,宣室志 (Outstanding Fantastic Stories, Stories from the Chamber of Dissemination), edited by Zhang Yongqin 张永钦 and Hou Zhiming 侯志明 (Beijing: Zhonghua shuju, 1983)

Murong Chui 慕容垂

Tang Taizong (r. 626-49 CE) was campaigning in Liao and when he reached Dingzhou there was a spirit by the roadside, dressed in white robes and standing tall atop a tomb, its spirited demeanour especially distinctive. When Taizong sent people to question it, it replied: “Our long-ago defeated the lord’s long-ago; the lord’s present defeats our present. Glory and splendour differ in each age; what use is the bitterness of chasing and seeking them?” Its speech being complete, it vanished. On further questioning, the tomb turned out to be that of Murong Chui.[1]

Li Fang 李昉, et al., Taiping guangji 太平廣記 (Extensive Gleanings from the Era of Great Harmony), 10 vols (Beijing: Zhonghua shuju, 1961), vii, 327.2601

慕容垂

唐太宗征遼,行至定州,路側有一鬼,衣黃衣,立高冢上,神彩特異。太宗遣使問之,答曰:「我昔勝君昔,君今勝我今。榮華各異代,何用苦追尋。」言訖不見,問之,乃慕容垂墓。(出《靈怪集》)

[1] Murong Chui 慕容垂 (326-96 CE), a controversial figure, famously both betrayed and betrayer in struggles for power. See https://en.wikipedia.org/wiki/Murong_Chui.

The Commander of Huaixi 淮西軍將

At the end of the Yuanhe period (806-20 CE), there was a commander of Huaixi, who was sent to Bianzhou, and stopped at a courier station on the way. Late at night, when he was reaching deep sleep, he suddenly awoke to find something pressing heavily onto him. The general, well-trained and strong, leapt up in alarm and began to wrestle with it, after which the unidentified thing withdrew, and the general succeeded in wresting a leather bag from its hand. The ghost begged and implored with great bitterness from the darkness, so the commander addressed it: “If you tell me what it is, I will give it back.” The spirit said, after a long time, “This is a bag of surplus qi.” The commander then picked up a brick and struck out with it, at which the voice was silenced. The bag held several sheng (these are about a litre each), its contents were deep red in colour, and looked like lotus-root fibres; when carried in daylight it cast no shadow.

Taken from Youyang zazu.

Li Fang 李昉, et al., Taiping guangji 太平廣記 (Extensive Gleanings from the Era of Great Harmony), 10 vols (Beijing: Zhonghua shuju, 1961), vii, 345.2733:

淮西軍將

元和末,有淮西軍將,使於汴州,止驛中。夜久,眠將熟,忽覺一物壓己,軍將素健,驚起,與之角力,其物遂退,因奪得手中革囊。鬼闇中哀祈甚苦,軍將謂曰:「汝語我物名,我當相還。」鬼良久曰:「此蓄氣袋耳。」軍將乃舉甓擊之,語遂絕。其囊可盛數升,絳色,如藕絲,攜於日中無影。出《酉陽雜俎》

 

The Celestial Master Executes A Serpent 天師誅蛇

In Dongyang County, in Wuzhou, there was a Guo Langzhong, whose family depended on and lived among the mountains. The crags and rocks were steep and dangerous, the trees and forests deep and thick, and there were often great serpents that became demons that people were unable to deal with. Guo had a daughter, sixteen sui in age and of great beauty, who suddenly vanished and could not be found. Her parents suspected she had been deluded by a ghost, and thought about her endlessly, morning and night, sending people to offer incense and a letter to Longhushan, to call on and request help from the Guanmiao Celestial Master. The master intended to set off the next day, and that night dreamed that the school’s founder spoke to him: “You should not go; I will sort this out myself.” Suddenly, one day, there was a person of religion who arrived at the Guo household, and calling on him asked: “What matter disturbs your family?” Guo replied with the matter of his missing daughter. The person of religion said: “I have the power of the Way; you should send people after me to seek her.” They then sent people following after him, and on reaching the hills behind the house [163] he ordered the people to close their eyes, listen for his cry, and then open their eyes. When the cry came, they opened their eyes to see flames erupt from the hillside, with a great serpent burning among them, and the girl standing before it. On questioning, it emerged that the serpent had become a bewitching spirit. The demon then died. The religious then gave the girl an amulet to wear, and she regained her former peace.

Anon., Huhai xinwen yijian xuzhi, 後1.162-63 (Tale 282):

天師誅蛇

婺州東陽縣有郭郎中,家依山而居,山石險峻,樹林深密,常有大蛇為妖,人所不能治。郭有一女年十六歲,容貌甚麗,忽尋不見。父母疑為祟所惑,朝夕思慕不已,遣人齎香信詣龍虎山,迎請觀妙天師救治。師欲翌日起(「起」,明刻本、明抄本作「啟」。)行,是夜(「夜」作「以」,據明刻本、明抄本改。)夢祖師云:「汝毋往,吾將自治之。」忽一日,有〔道〕(據明刻本、明抄本補。)人到郭家,謁問之曰:「爾家中有何憂事?」郭以失女事對。道人曰:「我有道法,爾當遣人隨我尋之。」遂遣人隨去,至屋後 [163] 山中,令其人閉目,謂聞喝聲即開。及喝一聲,開目見山中火發,焚一大蛇於中,女立于前。詢之,乃此蛇為魅。其怪遂絕。道人乃給符與女服,獲安如故。

Yuan Haowen 元好問, Chang Zhenguo 常振國 (ed), Xu Yijian zhi 續夷堅志 (Continued Records of the Listener), and Anon., Jin Xin 金心 (ed.), Huhai xinwen yijian xuzhi 湖海新聞夷堅續志 (Continuation of Records of the Listener with New Items from the Lakes and Seas) (Beijing: Zhonghua shuju, 1986).

Discarding Fame and Studying the Way 棄名學道

Discarding Fame and Studying the Way 棄名學道

Chen Shunqing was from Jiangnan. In order to sit the civil examinations he went to Chang’an, and spent a decade there without returning. One day, he called on a monk at the Qinglong Monastery, but, unable to meet him, he waited in the warming room, where there was an old man from Zhongnanshan who was also waiting for a monk. They sat for a long time. On the wall was a Huanyingtu map, and Shunqing searched for the Jiangnan route, sighing “If I could return from here, I would not regret being without success.” The old man said: “This is a simple thing.” He arose and snapped a leaf from the bamboo standing before the step, placed it on the Wei River, and said: “Fix your eyes on this, and you will get what you desire.” Shunqing stared hard at the Wei River, seeing violent waves and a heavy swell, and an extremely large boat; it was as if he boarded the boat, which set off at high speed, travelling to the Chanku Monastery, where he inscribed a poem, which read:

Bells sound when the night breeze grows urgent,

Tumultuous crows also [149] gather to gaze on the winter forest.

Hold now the oars in sadness and sigh,

A lone lotus flower towering like a mountain peak.

The next day, he arrived at Tongguan, and composed another poem, which read:

Bringing shame by planning to return home,

Overcoming the shame of failing to return.

When he arrived at his home, his wife and children received him with great delight. He stayed for two nights, and then said: “The examination period is pressing close; I must not stay long.” He then boarded the boat again, composing a poem of farewell to his wife:

Wine increases sorrow with each sip;

Completing a poem I mix chanting with tears.

He floated away, his family stunned and stupefied, saying that he was a ghost. He arrived suddenly at the Wei River, and hurried to the Qinglong Monastery. The monk had still not returned, and the old man of the mountain was still sitting wrapped in his coarse clothing. Shunqing said: “Can that not have been a dream?” The old man said: “You’ll understand this yourself in the coming days.” After a month had passed, his family came to visit, narrating all that had happened, reciting all of the poems he had inscribed there. Chen later achieved enlightenment, having no wish to pursue an official post, but entering Zhongnanshan, remaining as a hermit and never emerging again.

Anon., Huhai xinwen yijian xuzhi, 後1.148-49 (Tale 260):

棄名學道

陳舜卿,江南人。舉進士,至長安,十年不歸。一日,於青龍寺訪僧不值,憩於火閣,有終南山翁,亦俟僧。坐久之,壁間有《寰瀛圖》,舜卿尋江南路,歎曰:「得自此歸,不悔無成。」翁曰:「此易耳。」起折階前竹葉置渭水中,曰:「注目於此,則如願。」舜卿熟視,見渭水波濤洶湧,一舟甚大,怳然而登舟,其去極速,行次禪窟寺,題詩云:「霜鍾鳴時夕風急,亂鴉(「鴉」,原作「雅」,今改。)又 [149] 望寒林集。此時輟棹悲且吟,獨坐蓮華一峰立。」明日,次潼關,又作詩云:「已作羞歸計,猶勝羞不歸。」及至其家,妻子迎見甚喜。信宿,曰:「試期已逼,不可久留。」乃復登舟,作詩別妻曰:「酒至添愁飲,詩成和淚吟。」 飄然而去。家人驚愕,謂為鬼物。倏忽復至渭水,趨青龍寺,僧猶未歸,山翁猶擁褐而坐。舜卿曰:「豈非夢耶?」翁曰:「〔他日〕(據明刻本補。)自知之。」 經月,家人來訪,具述所以,題詩宛然皆在。陳後頓悟,不圖仕宦,而入終南山,隱而不出。

Yuan Haowen 元好問, Chang Zhenguo 常振國 (ed), Xu Yijian zhi 續夷堅志 (Continued Records of the Listener), and Anon., Jin Xin 金心 (ed.), Huhai xinwen yijian xuzhi 湖海新聞夷堅續志 (Continuation of Records of the Listener with New Items from the Lakes and Seas) (Beijing: Zhonghua shuju, 1986).

A version of the same tale is found in Taiping Guangji, vol. ii, 74.462-63:

Chen Jiqing 陳季卿

Chen Jiqing’s home was in Jiangnan. He said farewell to his household for a decade and took the civil examinations, determined not to return without having succeeded. He lodged in the capital, selling books to keep himself clothed and fed and frequently visiting the monks at the Qinglong Monastery. Once it happened that the monk was elsewhere, so he rested in the warming room in order to wait for him. There was an old man from Zhongnanshan who was also waiting for a monk, sitting by the stove, and he bowed to Jiqing and beckoned him to the fire. They sat for a long time. He addressed Jiqing, saying: “It is already late afternoon. Are you not very hungry?” Jiqing said: “Starving, to be honest, but the monk is not here yet, so what can be done?” The old man untied a small bag from within his sleeve and took out about a cun (c.3.3cm) piece of medicine, simmering it in a cup of water and handing it to Jiqing, saying: “This will allay your hunger slightly.” After sipping it to the end, he was satisfied and comfortable, the suffering of hunger being washed away he felt much better. On the eastern wall there was a Huanyingtu map, and Shunqing searched for the Jiangnan route, and let out a long sigh, saying: “If I could float from the Wei River to the Yellow River, swim to the Luohe River, on to the Huai and cross to the Yangtze, I would reach my home, and I would not regret returning without achievement.” The old man laughed and said: “This is not so hard to achieve.” He ordered a novice to break a leaf from the bamboo standing in front of the step. Making a boat from the leaf, he placed it on the map, on top of the Wei River, and said: “The gentleman should fix his eyes on this boat, and he will receive that which he has been desiring, even arriving at his home, but should take care not to linger there too long.” Jiqing stared hard at it for a long time, gradually coming to feel the waves of the Wei River, as the single leaf grew large and became an extended sail. [463] Suddenly, it was as if he had boarded the boat, which set off from the Wei to the Yellow River, mooring at the Chanku Monastery, where he inscribed a poem on the southern pillar:

Bells sound when the night breeze grows urgent,

Tumultuous crows also gather to gaze on the winter forest.

Hold now the oars in sadness and sigh,

A lone lotus flower towering like a mountain peak.

The next day, he arrived at Tongguan, and disembarked. He inscribed another poem on the door of the Putongyuan to the east of the pass gates, and this read:

Crossing the Pass ashamed by failed ambition,

Myriad unfinished matters disturb my thoughts.

Downslope a horse lacks strength,

Sweeping the gate dust fills my robes.

Many schemes and plans unfulfilled,

Heart and mouth unable to agree.

Bringing shame by planning to return home,

Overcoming the shame of failing to return.

From Shandong the places he passed through were all just as he had desired. After ten days he arrived at his home, and his wife, children and brothers bowed and welcomed him at the gate. That evening he composed the poem ‘Gazing Late at the River Pavilion’, inscribing it in the study. It read:

Standing facing the river pavilion, eyes filled with sorrow,

Dedicated ten years before to distant and long-term service.

Field and garden are already scattered like floating clouds,

Home village peace swept away like flowing water.

Meeting nobody on the river other than elderly anglers,

On the banks both old friends and sandpipers are hard to find.

It is not through old age; dusk does not yet approach,

Chanting to the distant peaks and bowing the white head.

That evening he spoke to his wife: “The examination period approaches.” He stayed for two nights, and then said: “The examination period is pressing close; I must not stay long.” He then boarded the boat again, composing a poem of farewell to his wife:

Cold dew lies white in slanting moonlight,

Tonight I depart and leave my heart behind.

Wine increases sorrow with each sip;

Completing a poem I chant through tears.

The farewell song perches in the phoenix flute,

The crane laments parting on the jade zither.

In the clear night I pine for this place,

The autumn wind rippling my half blanket.

As he was about to board the boat, he left another poem for his brothers, which read:

I have planned this for a long time,

It can only be fate delaying so far.

Old friends are all distant and detached,

My own path still leading into the distance.

The north wind leaves fine flakes of snow,

These declining years are a time of clouds.

Melancholy and regret lie pure on the riverbank,

This humble self is rich in time.

After the first watch (7-9pm) he again boarded the leaf boat, floating away as his wife, children, brothers and family wept and wailed on the riverbank, saying that he must have been a ghost. The leaf boat rippled along, following his previous route and arriving at Weibin. He then hired a ride and travelled back to the Qinglong Monastery. It seemed that the monk was still sitting wrapped in his coarse clothing. Jiqing thanked him, saying: “I returned and have come back. Can that not have been a dream?” The old man laughed and said: “You’ll understand this after sixty days, but now it is late, and the monk has still not come.” The old man departed and Jiqing returned to his host. After two months had passed, his wife and children sent gold and silks and came from Jiangnan, saying that Jiqing had passed away, and they had therefore come to visit. His wife said: “You returned on such-and-such a day of such-and-such a month. That evening you composed a poem in the study. You also left two poems behind, so I came to realise that this was not a dream.”

The next spring Jiqing failed the examinations and returned to the east. Arriving at Chanku and the Guanmen Buddhist temple, he saw the two pieces he had inscribed there; the ink was still fresh. The following year Jiqing passed the examinations, but fasted and entered Zhongnanshan.

Taken from Muyiji (Esteeming the Unusual: A Record)[1]

[1] Li Fang 李昉, et al., Taiping guangji 太平廣記 (Extensive Gleanings from the Period of Great Harmony), 10 vols (Beijing: Zhonghua shuju, 1961), ii, 74.462-63:

陳季卿

陳季卿者。家於江南。辭家十年。舉進士。志不能無成歸。羇棲輦下。鬻書判給衣食。常訪僧於青龍寺。遇僧他適。因息於暖閣中。以待僧還。有終南山翁。亦伺僧歸。方擁爐而坐。揖季卿就爐。坐久。謂季卿曰。日已晡矣。得無餒乎。季卿曰。實飢矣。僧且不在。為之奈何。翁乃於肘後解一小囊。出藥方寸。止煎一杯。與季卿曰。粗可療飢矣。季卿啜訖。充然暢適。飢寒之苦。洗然而愈。東壁有寰瀛圖。季卿乃尋江南路。因長歎曰。得自渭泛於河。遊於洛。泳於淮。濟于江。達于家。亦不悔無成而歸。翁笑曰。此不難致。乃命僧童折堦前一竹葉。作葉舟。置圖中渭水之上。曰。公但注目於此舟。則如公向來所願耳。然至家。愼勿久留。季卿熟視久之。稍覺渭水波浪。一葉漸大。席帆既張。 [463] 恍然若登舟。始自渭及河。維舟於禪窟蘭若。題詩於南楹云。霜鐘鳴時夕風急。亂鴉又望寒林集。此時輟棹悲且吟。獨坐蓮花一峯立。明日。次潼關。登岸。題句於關門東普通院門云。度關悲失志。萬緖亂心機。下坂馬無力。掃門塵滿衣。計謀多不就。心口自相違。已作羞歸計。還勝羞不歸。自陝東。凡所經歷。一如前願。旬余至家。妻子兄弟。拜迎於門。夕有江亭晚望詩。題于書齋云。立向江亭滿目愁。十年前事信悠悠。田園已逐浮雲散。鄉里平隨逝水流。川上莫逢諸釣叟。浦邊難得舊沙鷗。不緣齒髮未遲暮。吟對遠山堪白頭。此夕謂其妻曰。吾試期近。不可久留。即當進棹。乃吟一章別其妻云。月斜寒露白。此夕去留心。酒至添愁飲。詩成和淚吟。離歌棲鳳管。別鶴怨瑤琴。明夜相思處。秋風吹半衾。將登舟。又留一章別諸兄弟云。謀身非不早。其奈命來遲。舊友皆霄漠。此身猶路歧。北風微雪後。晚景有雲時。惆悵清江上。區區趁試期。一更後。復登葉舟。泛江而逝。兄弟妻屬。慟哭於濱。謂其鬼物矣。一葉漾漾。遵舊途至於渭濱。乃賃乘。復遊青龍寺。宛然見山翁擁褐而坐。季卿謝曰。歸則歸矣。得非夢乎。翁笑曰。後六十日方自知。而日將晚。僧尚不至。翁去。季卿還主人。後二月。季卿之妻子。賫金帛。自江南來。謂季卿厭世矣。故來訪之。妻曰。某月某日歸。是夕作詩於西齋。並留別二章。始知非夢。明年春。季卿下第東歸。至禪窟及關門蘭若。見所題兩篇。翰墨尚新。後年季卿成名。遂絕粒。入南山去。

出慕異記

 

An Elm Demon 榆木為怪

Lü Yijian, Duke Shen, served several times as a magistrate in Shu, but the name of his prefecture has been forgotten. The government office had long experienced a ghostly manifestation, named Great Aunt Yu, who was an elm spirit. In form she looked like an ancient and ugly woman, and she frequently emerged in the kitchen, encountered among a crowd of maids, who often saw her. The household, having seen her over a long period, did not think her strange. The Duke called out a question to her, at which she bowed low and said: “Your servant has long been resident in this hall, and though not human, I dare not cause misfortune.” The Duke then laid the matter aside and asked no more questions. She often predicted that he must later become very influential. One day she suddenly announced that she was pregnant, and the maids mocked her. She herself said that she would soon give birth, and then disappeared for over a month. Then, all of a sudden, her voice was heard, saying: “I have given birth; [264] please come and look. In the back garden, to the southwest of the elm tree, there’s another, and that’s my child.” They looked, and it was true.

Anon., Huhai xinwen yijian xuzhi, 後2.263-64 (Tale 477):

榆木為怪

呂申公夷簡常通判蜀中,忘其郡名。廨宇中素有鬼物,號俞老姑,乃榆木精,其狀一老醜婦,常出廚間與羣婢為偶,或時見之。家人見之久,亦不為怪。公呼問之,即下階拜(「階拜」原作「拜階」,據抄配本改。)云:「妾在於(抄配本無「於」字。)堂府日久,雖非人,然不敢為禍。」公亦置而不問。常謂公他日必大貴。一日忽懷妊,羣婢戲之。自言非久當產,遂月餘不見。忽出云:「已產矣, [264] 請視之,後園榆木西南生大贅乃是。」視之,果然。

Yuan Haowen 元好問, Chang Zhenguo 常振國 (ed), Xu Yijian zhi 續夷堅志 (Continued Records of the Listener), and Anon., Jin Xin 金心 (ed.), Huhai xinwen yijian xuzhi 湖海新聞夷堅續志 (Continuation of Records of the Listener with New Items from the Lakes and Seas) (Beijing: Zhonghua shuju, 1986).