Birds With Magical Skills 禽鳥有術

The Xichi is able to command the waters, so roosts on the water and nothing is able to cause it harm. The serpent eagle is able to step magically and restrain serpents, so eats snakes. Woodpeckers, on encountering insect burrows, draw out characters with their beaks, causing the insects to emerge. Magpies keep their nests secret, so birds of prey are unable to see them. Swallows avoid wu and ji days when gathering clay with their beaks, so their nests are firm and will not collapse. Storks keep water and stone, so they are able to breed fish in their nests. Swallows hate mugwort; other birds, wishing to take their nests, stand straight and wait among it, so swallows avoid it. These are the skills possessed by birds.

Anon., Huhai xinwen yijian xuzhi, 後2.267 (Tale 488):

禽鳥有術

鸂[氵+鵣]能敕水,故水宿而物莫害。鴆能巫步禁蛇,故食蛇。啄木遇蠹穴以嘴畫字成符,即蠹蟲出。鵲有隱巢,故鷙鳥莫能見。燕銜泥常避戊己日,故巢固而不傾。鸛有水石,故能於巢中養魚。燕惡艾,他禽欲奪其巢,即銜置其中,燕即避去。此禽鳥之有術者也。

Yuan Haowen 元好問, Chang Zhenguo 常振國 (ed), Xu Yijian zhi 續夷堅志 (Continued Records of the Listener), and Anon., Jin Xin 金心 (ed.), Huhai xinwen yijian xuzhi 湖海新聞夷堅續志 (Continuation of Records of the Listener with New Items from the Lakes and Seas) (Beijing: Zhonghua shuju, 1986).

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A Temple Spirit Seizes A Fan 廟鬼奪人扇

Before Fan Zhi, Duke of Lu (911-964 CE), became influential, he was seated in a teahouse in Fengqiu, holding a fan on which was inscribed ‘The heat of summer drives out corrupt officials; a pure breeze brings back the departed.’ A strange and ugly figure suddenly appeared before him and bowed, saying: “How can the injustice of corrupt government end like the summer heat? Someday the gentleman will have to think deeply about this matter.” It then picked up the fan and departed. The gentleman was left sorrowful and unable to fathom the matter. Several days after, he passed a temple and saw a short spirit figure made of earth and wood – looking just like the strange and ugly person from the teahouse – holding his fan in its hands; the gentleman was astonished by this. Afterwards, on attaining a position of power, his first action was to consult on settling the [226] unified code of punishment.

Anon., Huhai xinwen yijian xuzhi, 後2.225-26 (Tale 402):

廟鬼奪人扇

范魯公質未顯時,坐封丘茶肆,手持扇,偶題「大暑去酷吏,清風來故人。」忽有一怪陋人前揖曰:「世之酷吏冤抑何止如大暑,公他日當深究此弊。」因攜其扇而去。公憫然莫測。後數日,過一廟,見一土木短鬼,狀貌酷類茶肆中者,扇亦在其手中,公心異焉。後致大用,首建議詳定 [226] 刑統。

Yuan Haowen 元好問, Chang Zhenguo 常振國 (ed), Xu Yijian zhi 續夷堅志 (Continued Records of the Listener), and Anon., Jin Xin 金心 (ed.), Huhai xinwen yijian xuzhi 湖海新聞夷堅續志 (Continuation of Records of the Listener with New Items from the Lakes and Seas) (Beijing: Zhonghua shuju, 1986).

A Clay Mendicant Buys Chestnuts 泥行者買栗

The Sizhou Buddha of Longquan’s Wugou Hall was very powerful. Every day at dusk there was a mendicant who would take up the begging bowl and monk’s staff, walking and singing in the town, saying that the sects had become one text; nobody knew to which monastery he belonged. One night it happened that, at chestnut roasting store at the end of the Jichuan Bridge, a single lamp still burned, and the mendicant held up his bold and bought chestnuts. Following him on tiptoe, he was seen returning to the Buddhist temple, at which those people said: “The temple has only one monk; where did this mendicant come from?” The next day they went to look, and saw that there were several chestnuts in the alms bowl held by the carved wood mendicant, and then they understood. This secret being revealed, he never again went out.

Anon., Huhai xinwen yijian xuzhi, 後2.225 (Tale 401):

泥行者買栗

龍泉無垢院泗州佛甚靈,每黃昏時,有行者將鉢盂錫杖,行歌於市,曰家化一文,人莫知其為何寺之行者。忽一夜,濟川橋頭有炒栗鋪賣,孤燈猶存,行者持鉢買栗。躡其後追之,見歸無垢,其人曰:「院只一僧,安有此行者?」次早往觀,見木乂行者鉢盂中有栗數枚,方知之。此機一泄,不復出矣。

Yuan Haowen 元好問, Chang Zhenguo 常振國 (ed), Xu Yijian zhi 續夷堅志 (Continued Records of the Listener), and Anon., Jin Xin 金心 (ed.), Huhai xinwen yijian xuzhi 湖海新聞夷堅續志 (Continuation of Records of the Listener with New Items from the Lakes and Seas) (Beijing: Zhonghua shuju, 1986).

The Cishan Deity Manifests 祠山神顯

Zhang Dadi, of Cishan in Guangde, when he first manifested his nature, once turned into a pig in order to regulate the waterways, and for this reason many people of the prefecture do not eat pigs, treating them as a taboo. The people of the prefecture obeyed this very sincerely, and warned people to avoid pork. The Tang subject Lou Yin (833-909), whose name is famous across All Under Heaven, ridiculed the deities and spirits in every place he visited. He once passed this temple, and inscribed a poem on the wall:

Traversing roads in the world’s farthest corners

Never once in life misled by fallacy.

He was about to write another pair of lines, when his hand was suddenly grasped and dragged upwards, as if by a person. He heard someone speak: “If the second couplet isn’t good, your hand could be snapped off.” Luo, terrified, said: “How about it isn’t written at all, to accord with the deity’s order?” His hand was then restored as before. He continued to write:

Zhang Dadi of Cishan,

Is Lord of Spirits in All Under Heaven.

 

During the Song Jingding era (1260-64), there was a palace, lying four li north of Taipingzhou city, which had extremely powerful spirits. A wealthy family made a great refurbishment of the temple there, using curved tiles numbering in the [216] tens of thousands. When the time came to open the several kilns, their simple clay tiles had all been transformed and showed a glossy blue-green glaze. As the artisans came to complete the project, they found themselves three hundred tiles short, so continued to heat the kilns, the artisans placing several tens of thousands of tiles in the kiln, intending that they should all be transformed and glazed, to sell on and make a small profit. When removed from the kiln, three hundred had received the glaze, but the rest were all simple clay.

Anon., Huhai xinwen yijian xuzhi, 後2.215-16 (Tale 382):

祠山神顯

廣德軍祠山張大帝,初發靈時,嘗化為豬以治水,故郡人多不食豬,自為諱物。郡人事之甚謹,戒不食豬肉。唐人羅隱,名彰天下,所至之處,鬼神無不為之譏諷。嘗過其廟,題詩於壁曰:「踏遍天涯路,平生不信邪。」方欲題後二句,(此處原多一「於」字,據明刻本刪。)俄手如人拽起狀,聞人語曰:「若後二句不佳,能折爾手。」羅悚懼曰:「如不佳,甘照神語。」手遂如故。續題曰:「祠山張大帝,天下鬼神爺。」宋景定年間,太平州城北四里外有行宮極靈,富家巨室重新廟宇,計用筒瓦數 [216] 萬口,臨時起窰三五所燒造,其土瓦盡皆變成青色琉璃。結蓋將畢工,尚少三百口,續行燒造,匠者復以數萬入竈,意其變琉璃,庶可轉鬻以圖小利。及出窰,則三百口為琉璃,餘者皆土瓦也。

Yuan Haowen 元好問, Chang Zhenguo 常振國 (ed), Xu Yijian zhi 續夷堅志 (Continued Records of the Listener), and Anon., Jin Xin 金心 (ed.), Huhai xinwen yijian xuzhi 湖海新聞夷堅續志 (Continuation of Records of the Listener with New Items from the Lakes and Seas) (Beijing: Zhonghua shuju, 1986).