Li Yuangong 李元恭

*Translation revised with the generous help of Ofer Waldman – thanks Ofer!*

The Tang-era Vice-President of the Ministry of Personnel Li Yuangong[1] had a granddaughter, a Miss Cui, peaceful of countenance and extremely beautiful, fifteen or sixteen years old, who was suddenly afflicted by a demonic illness. When this had lasted for a long time, the fox manifested itself as a young man, calling himself ‘Gentleman Hu’; they repeatedly sought scholars of magic, but were unable to make it go away. Yuangong’s son possessed a broad education and great wisdom, and often asked: “Does Gentleman Hu also possess learning or not?” And so the fox engaged in discussions, missing not a single topic. He employed many questions to probe the fox, who tended to be closely acquainted with music. After a long time of this, he addressed Miss Cui, saying: “Nobody should remain without education.” He therefore brought an elderly man to teach Miss Cui Classics and History, and over three years she acquired a degree of expertise [204] in the cardinal principles of the various schools. He also brought a person to teach her calligraphy, and, after a single year, she came to be considered an expert calligrapher. He also said: “How can a married woman not have studied music? The konghou and pipa, though present in all music, are not so suitable as study of the qin.” He further summoned another person, saying that he was skilled at playing the qin, and stating that his surname was Hu, and that he was a scholar of Yangdi County in the Sui era. He taught her all the various tunes, preparing her fully in their subtleties, and she was quite unsurpassed on other famous songs. As to himself he claimed: “I am skilled at Guanglingsan,[2] which many encounters with Ji Zhong San[3] did not get him to teach it to other men.” He was also especially good at transmitting the wonders of Wuyeti.[4] Li later asked: “Why does Gentleman Hu not marry and return home?” The fox was extremely pleased, bowing again in thanks and saying: “I have long cherished this, too, but have not dared, purely due to being a pleb” That day, he bowed over and over to the family, leaping about in the utmost joy. Li asked: “Mr Hu wishes to return home with his wife; where is his residence?” The fox said: “Before the residence there are two large bamboos.” At that time the Li residence had a bamboo garden, and Li, going to search around there, found a small hole between two of the great trees; it turned out to be a fox’s lair, drawing water to fill it. At first they captured a badger, a raccoon dog, and several dozen small foxes. Eventually an elderly fox, wearing an unlined green robe, followed them out of the hole; it was the same robe he was always wearing. The family spoke joyfully: “Now Mr Hu has emerged!” They killed him, and the strange events stopped.
From Guangyiji 廣異記 (Extensive Records of the Strange)

Li Fang 李昉, et al., Taiping guangji 太平廣記 (Extensive Gleanings from the Era of Great Harmony), ix, 449.3671-72:

李元恭
唐吏部侍郎李元恭。其外孫女崔氏。容色殊麗。年十五六。忽得魅疾。久之。狐遂見形為少年。自稱 [3672] 胡郎。累求術士不能去。元恭子博學多智。常問胡郎亦學否。狐乃談論。無所不至。多質疑于狐。頗狎樂。久之。謂崔氏曰。人生不可不學。乃引一老人授崔經史。前後三載。頗通諸家大義。又引一人。教之書。涉一載。又以工書著稱。又云。婦人何不會音聲。箜篌琵琶。此故凡樂。不如學琴。復引一人至。云善彈琴。言姓胡。是隋時陽翟縣博士。悉教諸曲。備盡其妙。及他名曲。不可勝紀。自云亦善廣陵散。比屢見嵇中散。不使授人。其于烏夜啼。尤善傳其妙。李後問。胡郎何以不迎婦歸家。狐甚喜。便拜謝云。亦久懷之。所不敢者。以人微故爾。是日遍拜家人。歡躍備至。李問胡郎欲迎女子。宅在何所。狐云。某舍門前有二大竹。時李氏家有竹園。李因尋行所。見二大竹間有一小孔。竟是狐窟。引水灌之。初得猯狢及他狐數十枚。最後有一老狐。衣綠衫。從孔中出。是其素所著衫也。家人喜云。胡郎出矣。殺之。其怪遂絕。出《廣異記》

The version found in Guangyiji is essentially identical; here is the Chinese text, from the combined volume Tang Lin 唐臨; Dai Fu 戴孚, Mingbaoji; Guangyiji 冥報記 / 廣異記 (Records of Netherworld Vengeance / Extensive Records of The Strange) (Beijing: Zhonghua Shuju, 1992), pp. 203-4:

李元恭

唐吏部侍郎李元恭,其外孫女崔氏,容色殊麗,年十五六,忽得魅疾。久之,狐遂見形為少年,自稱胡郎,累求術士不能去。元恭子博學多智,常問:「胡郎亦學否?」狐乃談論,無所不至,多質疑于狐,頗狎樂。久之,謂崔氏曰:「人生不可不學。」乃引一老人授崔經史,前後三載,頗通 [204] 諸家大義。又引一人教之書,涉一載,又以工書著稱。又云:「婦人何不會音聲,箜篌琵琶,此故凡樂,不如學琴。」復引一人至,云善彈琴,言姓胡,是隋時陽翟縣博士。悉教諸曲,備盡其妙,及他名曲,不可勝紀。自云:「亦善《廣陵散》,比屢見嵇中散,不使授人。」其于《烏夜啼》尤善,傳其妙。李後問:「胡郎何以不迎婦歸家?」狐甚喜,便拜謝云:「亦久懷之,所不敢者,以人微故爾。」是日,遍拜家人,歡躍備至。李問:「胡郎欲迎女子,宅在何所?」狐云:「某舍門前有二大竹。」時李氏家有竹園,李因尋行所,見二大竹間有一小孔,竟是狐窟,引水灌之。初得猯狢及他狐數十枚,最後有一老狐,衣綠衫,從孔中出,是其素所著衫也。家人喜云:「胡郎出矣!」殺之,其怪遂絕。

[1] On Li Yuangong 李元恭 (d. c. 702 CE), see CBDB Person ID 0195948.

[2] On this piece of music, see https://zh.wikipedia.org/wiki/%E5%B9%BF%E9%99%B5%E6%95%A3.

[3] This refers to Ji Kang嵆康 courtesy name Shuye 叔夜 (223-62 CE), an acclaimed scholar and qin player. See https://en.wikipedia.org/wiki/Ji_Kang.

[4] On this piece of music, see https://zh.wikipedia.org/wiki/%E4%B9%8C%E5%A4%9C%E5%95%BC.

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Han Gan Paints Horses 韓幹畫馬

Han Gan[1] of the Tang was skilled at painting horses. While he was leading a quiet life at home, a person suddenly appeared, arriving wearing a black hat and red robe. Gan asked him: “What brings you here?” He replied: “I am an agent of the nether world. I heard that the gentleman is skilled at painting horses, and hoped to be granted one.” Gan erected a painting and burned it. Several days later he went out, and somebody bowed to him in thanks, saying: “Having benefited from the gentleman’s kindness, I have been spared the pain of trudging through hill and water, and you will also receive a reward for this service.” The following day, somebody brought a hundred bolts of white silk, not knowing where it had come from; Gan accepted and used it.

Li Rong 李冗, Du yi zhi 獨異志 (Outstanding Fantastic Stories), 上1.19 (Tale 98):

韓幹畫馬

唐韓幹善畫馬,閑居之際,忽有一人,玄冠朱衣而至。幹問曰:「何緣及此?」對曰:「我鬼使也。聞君善畫良馬,願賜一匹。」幹立畫焚之。數日因出,有人揖而謝曰:「蒙君惠駿足,免為山水跋涉之苦,亦有以酬效。」明日,有人送素縑百匹,不知其來,幹收而用之。

Li Rong 李冗, Du yi zhi, 獨異志 (Outstanding Fantastic Stories) in Du yi zhi, Xuanshi Zhi 獨異志,宣室志 (Outstanding Fantastic Stories, Stories from the Chamber of Dissemination), edited by Zhang Yongqin 张永钦 and Hou Zhiming 侯志明 (Beijing: Zhonghua shuju, 1983)

[1] On Han Gan韓幹 (c. 706-783), see https://en.wikipedia.org/wiki/Han_Gan.

Discarding Fame and Studying the Way 棄名學道

Chen Shunqing was from Jiangnan. In order to sit the civil examinations he went to Chang’an, and spent a decade there without returning. One day, he called on a monk at the Qinglong Monastery, but, unable to meet him, he waited in the warming room, where there was an old man from Zhongnanshan who was also waiting for a monk. They sat for a long time. On the wall was a Huanyingtu map, and Shunqing searched for the Jiangnan route, sighing “If I could return from here, I would not regret being without success.” The old man said: “This is a simple thing.” He arose and snapped a leaf from the bamboo standing before the step, placed it on the Wei River, and said: “Fix your eyes on this, and you will get what you desire.” Shunqing stared hard at the Wei River, seeing violent waves and a heavy swell, and an extremely large boat; it was as if he boarded the boat, which set off at high speed, travelling to the Chanku Monastery, where he inscribed a poem, which read:

Bells sound when the night breeze grows urgent,

Tumultuous crows also [149] gather to gaze on the winter forest.

Hold now the oars in sadness and sigh,

A lone lotus flower towering like a mountain peak.

The next day, he arrived at Tongguan, and composed another poem, which read:

Bringing shame by planning to return home,

Overcoming the shame of failing to return.

When he arrived at his home, his wife and children received him with great delight. He stayed for two nights, and then said: “The examination period is pressing close; I must not stay long.” He then boarded the boat again, composing a poem of farewell to his wife:

Wine increases sorrow with each sip;

Completing a poem I mix chanting with tears.

He floated away, his family stunned and stupefied, saying that he was a ghost. He arrived suddenly at the Wei River, and hurried to the Qinglong Monastery. The monk had still not returned, and the old man of the mountain was still sitting wrapped in his coarse clothing. Shunqing said: “Can that not have been a dream?” The old man said: “You’ll understand this yourself in the coming days.” After a month had passed, his family came to visit, narrating all that had happened, reciting all of the poems he had inscribed there. Chen later achieved enlightenment, having no wish to pursue an official post, but entering Zhongnanshan, remaining as a hermit and never emerging again.

Anon., Huhai xinwen yijian xuzhi, 後1.148-49 (Tale 260):

棄名學道

陳舜卿,江南人。舉進士,至長安,十年不歸。一日,於青龍寺訪僧不值,憩於火閣,有終南山翁,亦俟僧。坐久之,壁間有《寰瀛圖》,舜卿尋江南路,歎曰:「得自此歸,不悔無成。」翁曰:「此易耳。」起折階前竹葉置渭水中,曰:「注目於此,則如願。」舜卿熟視,見渭水波濤洶湧,一舟甚大,怳然而登舟,其去極速,行次禪窟寺,題詩云:「霜鍾鳴時夕風急,亂鴉(「鴉」,原作「雅」,今改。)又 [149] 望寒林集。此時輟棹悲且吟,獨坐蓮華一峰立。」明日,次潼關,又作詩云:「已作羞歸計,猶勝羞不歸。」及至其家,妻子迎見甚喜。信宿,曰:「試期已逼,不可久留。」乃復登舟,作詩別妻曰:「酒至添愁飲,詩成和淚吟。」 飄然而去。家人驚愕,謂為鬼物。倏忽復至渭水,趨青龍寺,僧猶未歸,山翁猶擁褐而坐。舜卿曰:「豈非夢耶?」翁曰:「〔他日〕(據明刻本補。)自知之。」 經月,家人來訪,具述所以,題詩宛然皆在。陳後頓悟,不圖仕宦,而入終南山,隱而不出。

Yuan Haowen 元好問, Chang Zhenguo 常振國 (ed), Xu Yijian zhi 續夷堅志 (Continued Records of the Listener), and Anon., Jin Xin 金心 (ed.), Huhai xinwen yijian xuzhi 湖海新聞夷堅續志 (Continuation of Records of the Listener with New Items from the Lakes and Seas) (Beijing: Zhonghua shuju, 1986).

A version of the same tale is found in Taiping Guangji, vol. ii, 74.462-63:

Chen Jiqing 陳季卿

Chen Jiqing’s home was in Jiangnan. He said farewell to his household for a decade and took the civil examinations, determined not to return without having succeeded. He lodged in the capital, selling books to keep himself clothed and fed and frequently visiting the monks at the Qinglong Monastery. Once it happened that the monk was elsewhere, so he rested in the warming room in order to wait for him. There was an old man from Zhongnanshan who was also waiting for a monk, sitting by the stove, and he bowed to Jiqing and beckoned him to the fire. They sat for a long time. He addressed Jiqing, saying: “It is already late afternoon. Are you not very hungry?” Jiqing said: “Starving, to be honest, but the monk is not here yet, so what can be done?” The old man untied a small bag from within his sleeve and took out about a cun (c.3.3cm) piece of medicine, simmering it in a cup of water and handing it to Jiqing, saying: “This will allay your hunger slightly.” After sipping it to the end, he was satisfied and comfortable, the suffering of hunger being washed away he felt much better. On the eastern wall there was a Huanyingtu map, and Shunqing searched for the Jiangnan route, and let out a long sigh, saying: “If I could float from the Wei River to the Yellow River, swim to the Luohe River, on to the Huai and cross to the Yangtze, I would reach my home, and I would not regret returning without achievement.” The old man laughed and said: “This is not so hard to achieve.” He ordered a novice to break a leaf from the bamboo standing in front of the step. Making a boat from the leaf, he placed it on the map, on top of the Wei River, and said: “The gentleman should fix his eyes on this boat, and he will receive that which he has been desiring, even arriving at his home, but should take care not to linger there too long.” Jiqing stared hard at it for a long time, gradually coming to feel the waves of the Wei River, as the single leaf grew large and became an extended sail. [463] Suddenly, it was as if he had boarded the boat, which set off from the Wei to the Yellow River, mooring at the Chanku Monastery, where he inscribed a poem on the southern pillar:

Bells sound when the night breeze grows urgent,

Tumultuous crows also gather to gaze on the winter forest.

Hold now the oars in sadness and sigh,

A lone lotus flower towering like a mountain peak.

The next day, he arrived at Tongguan, and disembarked. He inscribed another poem on the door of the Putongyuan to the east of the pass gates, and this read:

Crossing the Pass ashamed by failed ambition,

Myriad unfinished matters disturb my thoughts.

Downslope a horse lacks strength,

Sweeping the gate dust fills my robes.

Many schemes and plans unfulfilled,

Heart and mouth unable to agree.

Bringing shame by planning to return home,

Overcoming the shame of failing to return.

From Shandong the places he passed through were all just as he had desired. After ten days he arrived at his home, and his wife, children and brothers bowed and welcomed him at the gate. That evening he composed the poem ‘Gazing Late at the River Pavilion’, inscribing it in the study. It read:

Standing facing the river pavilion, eyes filled with sorrow,

Dedicated ten years before to distant and long-term service.

Field and garden are already scattered like floating clouds,

Home village peace swept away like flowing water.

Meeting nobody on the river other than elderly anglers,

On the banks both old friends and sandpipers are hard to find.

It is not through old age; dusk does not yet approach,

Chanting to the distant peaks and bowing the white head.

That evening he spoke to his wife: “The examination period approaches.” He stayed for two nights, and then said: “The examination period is pressing close; I must not stay long.” He then boarded the boat again, composing a poem of farewell to his wife:

Cold dew lies white in slanting moonlight,

Tonight I depart and leave my heart behind.

Wine increases sorrow with each sip;

Completing a poem I chant through tears.

The farewell song perches in the phoenix flute,

The crane laments parting on the jade zither.

In the clear night I pine for this place,

The autumn wind rippling my half blanket.

As he was about to board the boat, he left another poem for his brothers, which read:

I have planned this for a long time,

It can only be fate delaying so far.

Old friends are all distant and detached,

My own path still leading into the distance.

The north wind leaves fine flakes of snow,

These declining years are a time of clouds.

Melancholy and regret lie pure on the riverbank,

This humble self is rich in time.

After the first watch (7-9pm) he again boarded the leaf boat, floating away as his wife, children, brothers and family wept and wailed on the riverbank, saying that he must have been a ghost. The leaf boat rippled along, following his previous route and arriving at Weibin. He then hired a ride and travelled back to the Qinglong Monastery. It seemed that the monk was still sitting wrapped in his coarse clothing. Jiqing thanked him, saying: “I returned and have come back. Can that not have been a dream?” The old man laughed and said: “You’ll understand this after sixty days, but now it is late, and the monk has still not come.” The old man departed and Jiqing returned to his host. After two months had passed, his wife and children sent gold and silks and came from Jiangnan, saying that Jiqing had passed away, and they had therefore come to visit. His wife said: “You returned on such-and-such a day of such-and-such a month. That evening you composed a poem in the study. You also left two poems behind, so I came to realise that this was not a dream.”

The next spring Jiqing failed the examinations and returned to the east. Arriving at Chanku and the Guanmen Buddhist temple, he saw the two pieces he had inscribed there; the ink was still fresh. The following year Jiqing passed the examinations, but fasted and entered Zhongnanshan.

Taken from Muyiji (Esteeming the Unusual: A Record)[1]

[1] Li Fang 李昉, et al., Taiping guangji 太平廣記 (Extensive Gleanings from the Period of Great Harmony), 10 vols (Beijing: Zhonghua shuju, 1961), ii, 74.462-63:

陳季卿

陳季卿者。家於江南。辭家十年。舉進士。志不能無成歸。羇棲輦下。鬻書判給衣食。常訪僧於青龍寺。遇僧他適。因息於暖閣中。以待僧還。有終南山翁。亦伺僧歸。方擁爐而坐。揖季卿就爐。坐久。謂季卿曰。日已晡矣。得無餒乎。季卿曰。實飢矣。僧且不在。為之奈何。翁乃於肘後解一小囊。出藥方寸。止煎一杯。與季卿曰。粗可療飢矣。季卿啜訖。充然暢適。飢寒之苦。洗然而愈。東壁有寰瀛圖。季卿乃尋江南路。因長歎曰。得自渭泛於河。遊於洛。泳於淮。濟于江。達于家。亦不悔無成而歸。翁笑曰。此不難致。乃命僧童折堦前一竹葉。作葉舟。置圖中渭水之上。曰。公但注目於此舟。則如公向來所願耳。然至家。愼勿久留。季卿熟視久之。稍覺渭水波浪。一葉漸大。席帆既張。 [463] 恍然若登舟。始自渭及河。維舟於禪窟蘭若。題詩於南楹云。霜鐘鳴時夕風急。亂鴉又望寒林集。此時輟棹悲且吟。獨坐蓮花一峯立。明日。次潼關。登岸。題句於關門東普通院門云。度關悲失志。萬緖亂心機。下坂馬無力。掃門塵滿衣。計謀多不就。心口自相違。已作羞歸計。還勝羞不歸。自陝東。凡所經歷。一如前願。旬余至家。妻子兄弟。拜迎於門。夕有江亭晚望詩。題于書齋云。立向江亭滿目愁。十年前事信悠悠。田園已逐浮雲散。鄉里平隨逝水流。川上莫逢諸釣叟。浦邊難得舊沙鷗。不緣齒髮未遲暮。吟對遠山堪白頭。此夕謂其妻曰。吾試期近。不可久留。即當進棹。乃吟一章別其妻云。月斜寒露白。此夕去留心。酒至添愁飲。詩成和淚吟。離歌棲鳳管。別鶴怨瑤琴。明夜相思處。秋風吹半衾。將登舟。又留一章別諸兄弟云。謀身非不早。其奈命來遲。舊友皆霄漠。此身猶路歧。北風微雪後。晚景有雲時。惆悵清江上。區區趁試期。一更後。復登葉舟。泛江而逝。兄弟妻屬。慟哭於濱。謂其鬼物矣。一葉漾漾。遵舊途至於渭濱。乃賃乘。復遊青龍寺。宛然見山翁擁褐而坐。季卿謝曰。歸則歸矣。得非夢乎。翁笑曰。後六十日方自知。而日將晚。僧尚不至。翁去。季卿還主人。後二月。季卿之妻子。賫金帛。自江南來。謂季卿厭世矣。故來訪之。妻曰。某月某日歸。是夕作詩於西齋。並留別二章。始知非夢。明年春。季卿下第東歸。至禪窟及關門蘭若。見所題兩篇。翰墨尚新。後年季卿成名。遂絕粒。入南山去。

出慕異記

 

Cui Gong Attains the Way 崔公得道

Cui Gong Attains the Way 崔公得道

In the renchen year of the Zhiyuan era (1292), Cui Gong of Qingchengshan in Guanzhou lived with old woman Cui in a thatched cottage by the mountain gate intersection and sold firewood. One day, he was going into the hills to gather firewood, when suddenly Magu (the Hemp Maiden Immortal)[1] was sitting there on a rock. He bowed to her, and the immortal asked him: “Do you desire an official post?” Cui replied: “What would I do with an official post?” She asked again: “Do you desire money?” He replied: “Too much money harms a person.” She asked again: “Do you desire magnificent clothing?” He replied: “I’m a man who sells firewood; what would I do with magnificent clothes?” She again asked: “If these three are not desired by you, what is it that you want right now?” Cui Gong laughed and said: “I need this beard to sweep the floor; that would be the best thing.” Magu stroked the beard and drew back her hand, the beard extending along with her hand, eventually growing to reach the ground. When he returned home, people thought it a marvel. Afterwards, he stopped eating, and told people’s fortunes as if he were a spirit, the entire town gathering like a wall of spectators. They each offered cloth or money as alms, but he wouldn’t accept even a single piece of copper cash. A year later, husband and wife both went into the mountains, and where they ended up nobody knows.

Anon., Huhai xinwen yijian xuzhi, 後1.148 (Tale 259):

崔公得道

至元壬辰,灌州青城山崔公,與崔婆在山門路口茅屋下賣柴。一日,入山采柴,忽麻姑仙坐石上,拜之,仙問曰:「汝欲官否?」崔應云:「我用官何為?」又問:「欲錢否?」應云:「錢多害己。」又問:「欲華衣否?」應云:「我是賣柴漢,何用華衣為?」又問:「此三者非汝所欲,今所欲何事?」崔公笑云:「我要此鬚拖地便好。」麻姑引手捋之,鬚隨手而長,竟至垂地。歸家,人以為訝。後不食,言人禍福如神,合城觀者如堵。凡有布施錢,一文亦不受。一年後,夫妻俱入山,不知所終。

[1] On Magu, see https://en.wikipedia.org/wiki/Magu_(deity)

Yuan Haowen 元好問, Chang Zhenguo 常振國 (ed), Xu Yijian zhi 續夷堅志 (Continued Records of the Listener), and Anon., Jin Xin 金心 (ed.), Huhai xinwen yijian xuzhi 湖海新聞夷堅續志 (Continuation of Records of the Listener with New Items from the Lakes and Seas) (Beijing: Zhonghua shuju, 1986).

Immortals Treat Tuberculosis 仙醫瘵疾

Xianju is a Daoist hall in Jizhou. In the xinchou year of the Song Jiaxi era (1241), near the hall there lived a Li Laojia, who was somewhat warm and well-fed, and whenever a Daoist came by, he would supply them with good quality tea, nicely cooked foods and wine. His baby son suffered tuberculosis; his bones as thin as firewood; the hour of his death seemed certain. It happened that there were three Daoists in the hall, their appearance and manner showing an ancient vigour and elegance; they came and said: “Your heir should come to the hall and spend a night in the bed with us; he will then be restored.” Li said he should urgently be sent out. When night fell, two Daoists surrounded him and slept, and one Daoist covered him from above. His breath steaming like smoke from a fire, the patient felt like he was seated in a rice steamer, and was several times unable to bear it. The Daoists said: “Just restrain yourself.” This happened five or six times, but as dawn rose his spirit became clear and free, his bones and muscles beautiful and loose, and he asked for food and drink just as usual. Within ten days, he was exceptionally plump and well-formed. The Daoists urged him: “Now you must wait for two years until he can be married, otherwise the illness will return.” The Laos, husband and wife, bowed in gratitude, offering them money, cloth and silk, but they would not accept any of these, taking only fruit and three cups of drink, announcing that they would leave the hall to set off for Shaoshan in Yuanzhou. When the skies darkened towards evening, old Li [145] and the Daoists of the hall implored them to stay, but they would not accept this request, and as soon as they emerged from the gate they vanished, so it became clear that they were immortals.

Anon., Huhai xinwen yijian xuzhi, 後1.144-45 (Tale 253):

仙醫瘵疾

仙居,乃吉州道堂也。宋嘉熙辛丑年,堂近有李老家,稍溫飽,道人〔來往〕(據明刻本補。)即供以好茶,深熟者與酒。適有幼子病瘵,骨瘦如柴,死期可必。忽有堂內三道人,風貌蒼古,來曰:「令嗣能過堂同榻一宵,則可再生。」李道急遣去。入夜,兩道人夾之而睡,一道人蓋其上。其氣蒸之如火,病者如坐甑,幾不能堪。道人曰:「且忍耐。」凡若是者五六次,早起精神清爽,肌骨美暢,索飲食如常。不十日,豐悅殊異。道人囑之曰:「姑遲兩年方可娶,若早則病復來。」李老夫婦拜謝之,與以錢會布帛,一毫不受,但受果飲三杯,辭堂往袁州邵山。時天色晚矣,李老 [145] 與堂中道衆苦留之,不從所請,方出門則不見矣,乃知其仙也。

Yuan Haowen 元好問, Chang Zhenguo 常振國 (ed), Xu Yijian zhi 續夷堅志 (Continued Records of the Listener), and Anon., Jin Xin 金心 (ed.), Huhai xinwen yijian xuzhi 湖海新聞夷堅續志 (Continuation of Records of the Listener with New Items from the Lakes and Seas) (Beijing: Zhonghua shuju, 1986).

An Immortal Teaches Medicine 神仙教醫

Wei Taicheng was from Pucheng. He had never possessed any medical ability. On the day of the Yuanxiao Festival (the fifteenth day of the first month) he went to the suburbs, and he encountered an elderly man carrying firewood, who went over and sat with him, remarking that the festival would be good to see that evening in Yangzhou. Wei said: “That place is thirty li away; how could one see it?” The old man said: “This is an especially simple matter.” He then unfolded a lined garment of black cloth and had Wei close his eyes and sit tight. After a little while, he told him to open his eyes, and they were indeed in the city of Yangzhou. The inhabitants thought them descended immortals. After the cock crowed, he again unfolded the black lined cloth, they sat in it, and then found themselves back at their original point of departure. One day, which happened to be the birthday of True Man Hua Yue, the old man went in to celebrate it, and instructed Wei at the gate: “We will meet a two-eyed person; that is my master. When you see him you should bow.” After some time, three people, each blind in one eye, arrived supporting an old man, and Wei then bowed to them. The elderly man entered and addressed the first old man: “That person outside the door has the character of an immortal but lacks the fate and fortune of an immortal; he should quickly receive instruction.” They therefore handed over a volume of prescriptions, instructing him how to use the medicines. There was a sufferer of illness whose case he treated and who returned, and then he left home for more than twenty years. None among the villagers knew that he had medical ability, but when he returned and reached their fields, a rue grower said: “Medical Officer Wei says he has medical ability; let’s test his skill a little.” Someone, as soon as their lunch hour arrived, came leaping and jumping together, entering one of his rooms, and pretending to be a patient, their friends making them ask him for medical treatment. Wei felt their pulse and said: “You will die at the shen hour.” (i.e., between 3 and 5pm) They replied: “I am actually not ill.” Returning to the fields they said: “The Medical Officer is mistaken.” Before a moment had passed, however, they developed unbearable abdominal pain, this being caused by the food of their meal having burst through their stomach and intestines during their jumping. From then on Taicheng’s medical practice flourished more and more each day; it is not known how he ended up.

Anon., Huhai xinwen yijian xuzhi, 後1.141 (Tale 248):

神仙教醫

衛太丞,浦城人也。素不能醫。元宵日郊行,遇一老子負薪而至,與之同坐,且謂今夕揚州上元好看。衛曰:「此去三千里,何可得觀。」老子曰:「特易事耳。」乃鋪青布複,俾衛閉目同坐。少頃,令其開目,則揚州城矣。州人以為仙降。至雞鳴後,復用青布複,坐其中,則已回原處矣。一日,值華岳真人誕日,老子入內慶賀,俾衛在門首:「遇二目人,此吾師也。見即拜之。」良久,有三人皆瞽一目,扶一老人到,衛則設拜。老人入謂老子曰:「門外之人,有仙骨而無仙分,宜速分付。」乃付藥方一本,指教用藥,有病者治之原而歸,則去家二十餘年矣。鄉人莫知其能醫,歸到田所,芸田人曰:「衛太丞謂其能醫,少試其術。」一人方午飯,自田中跳躑踴躍走入一室,佯為病者,俾請之用藥。衛診脈曰:「申時當死。」其人曰:「我本無病。」復于田曰:「太丞誤矣。」未踰時,腹痛不可救,蓋飯飽踴躍,斷其腸胃故也。自是醫道日盛,不知所終。

Yuan Haowen 元好問, Chang Zhenguo 常振國 (ed), Xu Yijian zhi 續夷堅志 (Continued Records of the Listener), and Anon., Jin Xin 金心 (ed.), Huhai xinwen yijian xuzhi 湖海新聞夷堅續志 (Continuation of Records of the Listener with New Items from the Lakes and Seas) (Beijing: Zhonghua shuju, 1986).

Moonlight Traces An Immortal 月影仙跡

Wang Tinggui was from Luxi, in Ancheng. His courtesy name was Minzhan, and he was a student of the imperial university, having passed the highest examinations. He once took leave of Hu Dan’an with a poem on the latter’s demotion to Xinzhou. Gui [?who? Qin Hui (1090-1155)?] heard of this and was angry, demoting him too. When Gui died, he was summoned to court once more, appointed Academician in the Cabinet for Promotion of Literature, but resigned the post and returned to live in seclusion in his home village, travelling around and resting at Mengcao Convent. In late spring, when the roseleaf raspberry was in full bloom, it was almost dawn when the waning moonlight illuminated a figure, seemingly dressed like a lay Buddhist, and who addressed a vegetable-washing servant, saying: “Please give us a poem; Lü Dongbin is coming to see you.” The servant said: “It is still early.” When the servant went in to announce this, Wang straightened his robe and hurried out, but could see only the moonlight outlining the form of a person on the ground. He kowtowed and bowed to them, but then there was nothing to be seen. He later amended the scrolls around the convent gate to read:

Moonlight traces immortal vestiges

Fragrant blooms bring spirit to the writing-brush.

Anon., Huhai xinwen yijian xuzhi, 後1.133 (Tale 233):

月影仙跡

安成盧溪王庭珪,字民瞻,太學生(明刻本無「生」字。)登第。嘗以詩送胡澹庵貶新州。檜見而怒,例遭貶。檜死,召還朝,除敷文閣學士,致仕,歸遯丘園,遊息于夢草庵。莫春荼䕷盛開,天將曙,殘月照人,偶有衣白衣人來,與洗菜僕曰:「請與敷文說,呂洞賓來相見。」僕曰:「尚早。」及僕入語,王攬衣急出,但見月影,一人在地,遂扣而拜之,不復可見。後改庵前門帖云:「月影印仙迹,花香供筆靈。」

Yuan Haowen 元好問, Chang Zhenguo 常振國 (ed), Xu Yijian zhi 續夷堅志 (Continued Records of the Listener), and Anon., Jin Xin 金心 (ed.), Huhai xinwen yijian xuzhi 湖海新聞夷堅續志 (Continuation of Records of the Listener with New Items from the Lakes and Seas) (Beijing: Zhonghua shuju, 1986).